Engle, Margarita. The Poet Slave of Cuba: A Biography of Juan Francisco Manzano. New York, NY: Henry Holt and Company, LLC, 2006. ISBN: 978-0-8050-7706-3.
SUMMARY
Margarita
Engle uses verse in her book The Poet
Slave of Cuba: A Biography of Juan Francisco Manzano to tell the biography
of the famous Cuban poet who was born
into slavery during Cuba's colonial period under Spain's rule. As he suffers the relentless and inhumane
punishments inflicted upon him by his cruel and demented mistress, La Marquesa
de Prado Ameno, he clings to his faith and his belief that basic good does exist
in the world. Inspired by the words of poets, writings of authors, and his
mother's faith, Juan's determination to learn despite his hardships lead him to
become one of Cuban's famous poets and an inspiration for all to retain hope in
a world infiltrated with despair.
ANALYSIS
Margarita
Engle's exquisite poetry in her biography The
Poet Slave of Cuba: A Biography of Juan Francisco Manzano captivates her
audience as she reveals the horrors endured and hopes retained by a young slave
in colonial Cuba. The verse novel begins by revealing Juan, a young child, as the pampered slave protégé of his mistress,
Doña Beatriz. Juan's incredible gift to
easily learn and recite songs and poems pleases her and her guests, which leads
him to have a life separate from the other slaves, and from his mother. Eventually,
Doña Beatriz frees his mother, but promises that she will free Juan before she
dies. She keeps her promise, but a cruel woman, La Marquesa de Prado Ameno,
takes him for her own slave before his freedom can be realized. The remainder
of the biography focuses on his tortuous life under her domain.
Engle uses free verse poetry to tell the biography from the
point of view of different characters: Juan's mother, his two mistresses, the
overseer, and Juan. The personality of
each character becomes clear as the poetry exposes their thoughts. When revealing the thoughts of La Marquesa, Engle
skillfully crafts her words to evoke feelings of disgust and horror towards the
slave owner: "Some people can never be satisfied,/The poet boy for
instance,/Nothing is never enough for him./I have to tell the overseers to
teach/the same lessons/over and over/locking his ankles in the stocks/tying him
to a cross like Jesus/Or tying him to a ladder laid out on the ground/face
down, mouth down/so he cannot speak/except to count his own lashes/. . . /And
even when this is done nine days in a row/still he bleeds and weeps,/trying to
show me/that he has won/he has triumphed once again/he has proven that he can
still/make me sad./Evil child."
As Juan's mother's thoughts bleed out through the poetry, sorrow and compassion spill onto the page: "Imagine/how I feel/seeing him
here/locked in this twisted/position/ankles and neck/in the stocks/my own son./
So I speak/. . ./The first blow/of the whip/on the flesh/of my son/enters/my
heart./Teeth and fists/shrieking and kicking/I punch, I attack!/Now we are here
together/both twisted/and locked/in our dungeon/of sorrowful/hopes." It is
Juan's voice, though, who resounds throughout the book. Filled with hope that
cannot be beaten from him, he holds to his dreams and visions: "These
rhymes are mine/mine alone/never memorized/or copied/in any way/ /Rhymes
about/soaring in spirit/a spark imprisoned/bursting its bonds/of clay/ / Rhymes
about feeling delight/wrapped in love/alive/and able/to pray."
When finished with the book, Juan's story lingers in the
reader's mind. Engle's words masterfully create images that cannot be shut out
simply by closing the book's cover. As
if she senses this response from her readers, Engle offers a historical note
that tells what follows after Juan escapes La Marquesa, which includes
resources to guide the reader into learning more about this amazing man. She finishes her book with excerpts from some
of Juan's poetry, in his native Spanish,
and then her own translation in English. The Poet
Slave of Cuba exemplifies the power
of verse in historical/biographical novels.
AWARDS
Americas Award for Children's and Young
Adult Literature, 2007 - Winner, United States
IRA Children's and Young Adult Book Award,
2007 - Winner Young Adult- Nonfiction International
Paterson Prize for Books for Young People,
2007 - Special Recognition - United States
Pura Belpre Award, 2008 - Winner Narrative,
United States
SUGGESTED
ACTIVITY
When teaching a high school history class
lesson on slavery during the colonization period, read excerpts from this book
to your students, having the students read different roles from the book.
Discuss with them the advancement of civil rights in our country, laws that
protect children from abuse, and other social issues that show the progression
of civilization since the colonization period.
In a high school literature class, use
this book to compare and contrast with the horrific abuse experienced by David Pelzer
in his autobiography, A Boy Called It. Both of these stories share the same message of hope and the power of overcoming abusive childhoods.
Poet Slave of Cuba: A
Biography of Juan Francisco Manzano. cover illustration. Internet
on-line. March 2, 2013 from http://www.flr.follett.com/search?SID=016f03c47f80af1ef8a86d5eb6874f90.
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